Thursday, 4 August 2011
Summer movie must haves
Wednesday, 20 April 2011
Why hire a Makeup Artist for your wedding?
Monday, 18 April 2011
Vintage wedding style
Here is some Vintage inspiration.
Marion Davies Vintage |
Diane Kruger Modern |
Audrey Hepburn Vintage |
Bridal Modern |
Marilyn Monroe Vintage |
Bridal Modern |
Silent movie actress Vintage |
Jessica Alba Modern |
Monday, 11 April 2011
App bug reported!
Wednesday, 6 April 2011
Wedding season
Each bride is unique yet one thing that seems to be the same for each is the desire to look and feel the best she possibly can.
Not every one has the budget for a professional makeup artist on the day but there is plenty of great advise, features and tutorials at Makeuptagg.
Thursday, 24 March 2011
Iconic Beauty- Elizabeth Taylor
Wednesday, 23 March 2011
Is Your Makeup Past It's Sell By Date
How do I know if I need new makeup?
The phrases "Sell by date" and "Shelf life" would make most people think about the contents of their fridge not their makeup bag.
You won't find a use by date stamped on the bottom of your foundation and it may look and smell fine but be careful it may be harbouring germs which can cause sensitivity resulting in breakouts or even infection.
Oil Free foundation | 1 year |
Moisturizing/cream/compact foundation | 18 months |
Concealor | 1 year |
Powder Loose + Pressed | 2 years |
Blush Cream + Powder | 2 years |
Eyeshadow cream + Powder | 2 years |
Eyeliner | 2 years (sharpen pencils regularly and if you get an eye infection bin it!) |
Mascara | 6 months tops ( this is the worst culprit for harboring germs). Never share your mascara with anyone, and if you get an infection or a stye replace it. |
Thursday, 17 March 2011
What Lipstick Colour Suits You?
Tuesday, 15 March 2011
How much do you spend on makeup?
The average spend in a life time on makeup alone is £9000
This breaks down as the following:
1. Mascara £2,291
2. Foundation £950
3. Lip Balm £500
4. Eye Liner £500
5. Concealer £500
6. Lipstick £1,077
7. Blusher £500
8. Eyeshadow £1670
9. Powder £500
10. Lip gloss £500
Monday, 14 March 2011
How To Look After Makeup Brushes
Wednesday, 2 March 2011
Smokey Eyes
After seeing fiery red lips taking center stage at the BAFTA's and the Brits, it was smokey eyes that were trending at this years Oscar ceremony.
There are many interpretations of the smokey eye makeup but the essence of it is a smudged, dark or intense colour around the entire eye to create a sexy and sultry, unstructured look. The level of intensity can be as subtle or bold as you wish to be.
Luxury- Laura Mercier Custom Compact |
Mid Range -Christian Dior 5 Colours Designer |
Sunday, 20 February 2011
BAFTA winner
Friday, 28 January 2011
Keep skin radiant this winter
Nothing can be more important than a good moisturiser. Not only does it offer the perfect base for your makeup, but will rehydrate dry tired skin.
A complexion brightener will bring an instant luminous glow to your skin for that extra magical shimmer!
Keep powder based products to an absolute minimum opting for rich, creamy illuminating foundations and cream blush. Not only will they keep your skin looking fresh and nourised but give you a softer look.
Our makeuptagg experts recommend applying a little coloured lip balm just before you finish off with your favourite lipstick.
We all know the importance of keeping our skin hydrated so ensure to drink plenty of water....you will be amazed at the difference as you turn dull winter skin into a radiant year long complexion.
Friday, 21 January 2011
Makeup Artists pick their "must-have" products.
Yes, there are loads of great makeup products out there, but the idea of our app is to help you hone down your search. Sifting through hundreds of makeup brands can be over facing, confusing and cost you precious time and money. When you buy an eye shadow that doesn't suit you or you feel has poor application quality, many brands, especially the budget brands will not allow you to return it.
I can understand the frustration of some of our users who have favorite products that are not listed on our results page so we are currently developing our website and app further to become more interactive. Watch out for Makeuptagg updates.
Monday, 17 January 2011
Natalie Portman is glowing as she Scoops top slot at the Golden Globes
Get The Look |
Friday, 14 January 2011
Who will be the most glamorous Golden Globe Nominee
Amy Adams is nominated for best supporting actress for her role in The Fighter.
She has chosen a red lipstick with a blue undertone which compliments her cool colouring perfectly. As a rule, if you are going for strong lips keep your eye make up neutral otherwise you'll risk looking over done.
Red lipstick can bleed so line the lips with a lip liner first then powder the lipstick after the first application of colour. Then add another layer of colour over the top and blot with a tissue.
To avoid red lipstick looking too severe on a more mature face try a sheer red such as:
Wednesday, 12 January 2011
Makeuptagg reviewed in Oprah Magazine
Now on seasonal sale for $1.99 / £1.19
MAKEUPTAGG ($5)
How it works: Based on the color of your eyes, hair, and skin tone, Makeuptagg generates a list of makeup recommendations: three product suggestions per category, each at a different price point (luxury, midrange or budget).
Why we like it: If you're overwhelmed by the panoply of products in the beauty aisles, you can use this app to narrow your options before you hit the stores.
Kristen Stewart get the Look Smokey Eyes
With her pale complexion and nude glossy lips, this sultry smokey eye look makes her green eyes appear seductively feline.
There are many excellent video makeup tutorials to watch on you tube, so I have listed some great alternative products to achieve this look in both a luxury and budget price bracket.
Get The Look
foundation
always test foundation on your skin to check you are buying the right colour. The correct shade will disappear into your skin. If you buy a shade to light or too dark your makeup can appear mask like.
Luxury: Nars Sheer Matte Foundation- Mont Blanc
Budget: Boujois Mineral radiance Compact Powder-Hale
powder
a light dusting of powder will set your makeup and reduce unwanted shine so that your foundation will last longer.
Luxury: Nars Pressed powder- Flesh
Budget: Max Factor Colourgenius mineral Pressed powder.
eyeliner
eyeliner pencil is a must for the smokey eye look. Start by applying eye liner pencil to the bottom and top lash line. It doesn't matter if the line isn't totally accurate, get a small makeup brush and smudge the line.
Luxury: Nars Duo Eye shadow Surabaya, Mac Eyeshadow Black tied
Budget: Bourjois Smokey Eyes Eyeshadow -Mordore Chic , Boots 17 Solo Eyeshadow- Darkness
gel eyeliner
gel eyeliner can also be used to strengthen the eyeliner pencil
Luxury Bobbi Brown gel eye liner
Budget Maybelline Eye studio Gel Eyeliner.
Mascara
using eye lash curlers before applying mascara will open up the eye.
Luxury: Chanel Inimitable Intense Volume Length Curl- Black
Budget: Max Factor false lash effect- black
cheeks
add colour to the cheeks very sparingly to give a little contouring to the face
Luxury: Nars Blush- Sex appeal
Budget: Bourjois Blush -Rose D'Or
lips
adding a pale pink with a shimmering gloss finishes the look
Luxury- Lancome Juicy Tubes Lip Gloss-Sorbet de Cerise
Budget: Ruby& Millie Lip Gloss -Sheer Lilac
Saturday, 8 January 2011
Q and A, with Paul Gooch Hair and Makeup Designer
Q&A with Paul Gooch, Hair and Makeup Designer, Tim Burton's, Alice In Wonderland.
To date he has worked on over 300 film and television productions some of which have been nominated for BAFTA’s, Emmy’s and Oscars.
Paul was brought up in Cornwall but moved to London to study at the London College of Fashion in 1981. In the early 80's both the Punk and the New Romantic movements were a great platform for experimenting with make up. After graduating he trained in make up with the BBC, building the foundation for his career in films. To date he has worked on over 300 film and television productions some of which have been nominated for BAFTA’s, Emmy’s and Oscars. He has worked as a make up artist not only specializing in beauty on many international movies but also creating many character makeup’s, where the art of altering a face is accomplished using wigs, prosthetics and a great talent in make-up application. Some of the films Paul has worked on include: “The Hours”,” The Da Vinci code” and most recently, "Gulliver's Travels".
Q..Where are you originally from?
I was bought up in Cornwall and moved to London in my late teens.
Q..Did you always want to be a makeup artist?
Yes.It was a passion from a very young age. I began by doing makeup for my school plays.
Q..How long have you been a makeup artist and where did you train?
I trained at The London College of Fashion 28 years ago and then had further training at the BBC. Unfortunately the BBC no longer have a training school so it is hard for youngsters to get work experience.
Q ..How many hours did you get to prep before you start shooting Alice in Wonderland?
It was a slow run up beginning with the auditions for the character of Alice. Each character had to be carefully and maticulously designed. It was about 12 weeks from the casting to the shooting. We then shot in the UK for 10 days and moved to Los Angeles and shoot for 3 months with a further 2 month additional shooting, again in Los Angeles.
Q. .How do you come up with the makeup designs,?
I begin by researching the period, in this case 1865. Because a lot of Alice in Wonderland is fantasy I extended my research into many of the more ostentatious historical periods such as 1770 and 1835. Once I have this visual reference of style, shape and colour I experiment by recreating them on models or mannequins and then take it a stage further using my own imagination. I often draw my styles and use water paints or pencils for colouring. This is also useful when suggesting ideas to the cast, director or costume designer. It is a very visual industry and pictures are most efficient way of comunicating ideas. Film making is a collaborative process and I get input from the director, actors and costume designer. After several camera tests we finalize a style everyone is happy with.
Q.. What type of makeup products did you use for the film?
I used many of the high street brands and some specialist products that are created for the film, television and theatre industry.
Q..How do they differ for everyday use?
The specialized products do prosthetic application, scar making compounds, airbrush fluids, wig glues, etc. But the 'beauty makeup' is the same as a person would wear for everyday use. Because of the lighting on films, makeup artists need to use more powder and anti shine than for normal 'day wear'.
Q..What are some of your favorite makeup products to use?
I like Laura Mercier & La Prairie foundations, Clinique mascaras, Stila blush colours and MAC lip and eye colours.
Q..Who have been some of your favorite celebrities to work on?
I have worked with so many lovely people during my 28 years in the industry, often more than once. Part of my professional code of conduct is never to mention names.
Q..What would you say is your personal makeup signature or technique?
No two films are the same so it is rare to repeat a style or a technique. Friends who know my work say they recognize my style but I'm not sure what that is. I guess I am too close to it to be the best judge.
Q..Are there any new exciting projects that you are working on or lined up for you in the near future?
Yes, I have a film offer in the pipe line but I make it a rule never to discuss my work ahead of the contract. I don't 'Count my chickens before they hatch'!